Malcolm Gladwell says in his new book Outliers that researchers believe that takes about 10,000 hours or 10 years of hard practise to develop expertise.
So, how are you going to cross that distance when you are not writing?
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If your audience locks into the emotional journey of your main character, then they’ll know how to respond when your character responds. If a stranger approaches and the main character seems relaxed, then the audience will be comfortable as well. If they seem threatened, there’ll be tension. Your
“For me, a novel is like a party. Anybody who wants to join in can join in, and those who wish to leave can do so whenever they want.” — Haruki Murakami
Seth Godin recently asked two questions in a blog post: "Who's it for? What's it for?" When writing, do you know who it's for? It doesn't have to be an audience with a capital "A." It doesn't have to be for any audience; it can be for just you. But