Skip to content

Cleanse the Palate

David Gane
David Gane
1 min read

I am in the process of editing a script and moving through the swamp of its structure and I decided to start another script on the side to keep my writing chops fresh.

I began working on an idea that has been around for a while now and found myself slogging through it immediately. Fortunately, I immediately knew the reason was that too much detail had formed and I couldn’t deviate too far from the plan without blowing the whole thing.

So, I put it to the side and started fresh this morning on a new one. No plan or idea; I am starting from scratch and open to discovering it along the way.

I think this is an important and healthy thing for writing. I hate to hold too tightly to The Idea or to The Structure. I like to be able to write freely and let whatever happens. If I feel like killing off my main character, I will damn well do it.

But, I need to commit myself to it. I am not one for writing exercises. Everything I write has to be considered a possible product, no matter how crazy or outlandish it becomes. So, therefore, I have to see the writing all the way to a full script. And if this is a new experience for you, you feel what little effort it actually takes to get to the end of 120 pages (more on this for another day).

If you find yourself in a slump, not doing the work, commit yourself to filling 120 pages with whatever comes to mind. Push it through to the end and be willing to let anything happen. I also describe my first experience doing this as “the kitchen sink” script.

I started this morning and I am on page 5. I will update my progress. I hope you try it. Good luck and let me know your progress.

On Writing

David Gane Twitter

Co-writer of the Shepherd and Wolfe young adult mysteries, the internationally award-winning series, and teacher of storytelling and screenwriting.


Related Posts

Members Public

Responses help your reader

If your audience locks into the emotional journey of your main character, then they’ll know how to respond when your character responds.  If a stranger approaches and the main character seems relaxed, then the audience will be comfortable as well. If they seem threatened, there’ll be tension.  Your

Members Public

A Novel is like a party

“For me, a novel is like a party. Anybody who wants to join in can join in, and those who wish to leave can do so whenever they want.” — Haruki Murakami

Members Public

What's it for?

Seth Godin recently asked two questions in a blog post: "Who's it for? What's it for?" When writing, do you know who it's for? It doesn't have to be an audience with a capital "A." It doesn't have to be for any audience; it can be for just you. But