The irony of commitment is that it's deeply liberating - in work, in play, in love. The act frees you from the tyranny of your internal critic, from the fear that likes to dress itself up and parade around as rational hesitation. To commit is to remove your head as the barrier to your life.
—Anne Morriss, Starbucks customer
Join the newsletter to receive the latest updates in your inbox.
Seth Godin recently asked two questions in a blog post: "Who's it for? What's it for?" When writing, do you know who it's for? It doesn't have to be an audience with a capital "A." It doesn't have to be for any audience; it can be for just you. But
Most people can't have the whole story in their heads. Too many pieces, too many moving parts. That doesn't mean you must plan it out. Once your character's story takes shape, then begin. Allow yourself to be surprised and adapt, and let your imagination take you on a journey. That
Akira Kurosawa's Rashomon tells the story of a priest and woodcutter trying to understand a murder by listening to the testimonies of the multiple people involved. Ultimately, they struggle to find the truth amongst the lies. A similar type of story occurs within each of us. We tell ourselves multiple