It is what is required to obtain the character’s want, goal, or need.
In the end, they may not obtain it. They may lose it, they may realize their real goal but for that part of the story, it is what they pursue.
If you don’t have that, you don’t have an act.
And remember, everyone has an action.
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If your audience locks into the emotional journey of your main character, then they’ll know how to respond when your character responds. If a stranger approaches and the main character seems relaxed, then the audience will be comfortable as well. If they seem threatened, there’ll be tension. Your
“For me, a novel is like a party. Anybody who wants to join in can join in, and those who wish to leave can do so whenever they want.” — Haruki Murakami
Seth Godin recently asked two questions in a blog post: "Who's it for? What's it for?" When writing, do you know who it's for? It doesn't have to be an audience with a capital "A." It doesn't have to be for any audience; it can be for just you. But